Then work through and replicate the workflow in Resolve once you have understood. You are learning a new skill, so take the time and understand the concepts first. Da Vinci should deliver a multilingual audio with independent backtrack ducking.Watch the video and follow the concepts involved - they apply to any audio workstation. Because I've difficulties to understand why you sent a video over Pro Tools, when I use Da Vinci for that purpose. It would be nice to avoid this manual step but if I have not an alternative, it' shte only oen way to go.īartReynaard wrote:I would like to be sure we are talking about the same thing. I have always to render one language first with the second one muted, then mute the first one, and render the second one. In other words, I can't load in the renderer queue the 2 instances and render them at once. As it is notw with the compressor.Īnd for instance, when in English I get silence and in Dutch is continuing talking (let's say 1-2 seconds longer than English), then the music present in English version is quieter because Dutch driven. Ok but writing the Fader Automation, it will be the same for both languages. Suggest assigning keybindings to these functions as none are assigned by default. Glides from the automation data value at beginning of the specified range and glides to the current control's value at the end of the range - useful for creating smooth transitions between levels. Writes the current parameter's value (in this case fader level) across the range specified.įairlight menu > Automation > Glide Range The current value may then be committed to the defined Range, or controls enter Write or Trim as the automation system goes in to record. fader) is not controlled by the automation system but remains under manual control while Preview is active. Preview is both enablement and isolation for scene-based workflows, where the control (e.g. Reynaud Venter wrote:Automate the ducking riding the fader. Or there is a way to do it, that's more efficient? Should I just mute the track I don't need at each export? In conclusion: how can I achieve what I need? Compressors on busses, have not any sidechain feature.It seems there is not any way to have two independent chains. I tried (as naif) to send the same track to 2 different busses, then to instantiate a compressor on each bus to be supplied by 2 different chains. Now my problem is: the ducking is affected by both languages, not by I received as help in tis topic: viewtopic.php?f=21&t=145096#p777827 Render Settings B: Audio tab > Output Track = Bus 2 (Dutch Mix) Render Settings A: Audio tab > Output Track = Bus 1 (English Mix) I have a music backtrack common to both languages, with a compressor, with also sidechain RECEIVE activated, so it can duckĪ1 (English Dialogue) > Bus 1 (English Mix) The second export is second language, DutchĮach language has a compressor with SideChain SEND activated, for ducking I mean one export is one language (English) I have this issue to solve and I need your help
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